I was always interested in creating multilayered compositions from different sounds sources. It can be analog and digital synthesis, acoustic instruments, processed sound or not, software processes, field recordings, samples, found tapes.
Albums to be found here: https://iliabelorukov.bandcamp.com
Recent series of works has more active and processed music as well experimenting with different synthesis techniques.
A Few Steps Away (self-released, 2020) (composed in 2016-2019)
Scattered Underfoot (Cronica, Portugal, 2023) (composed in 2020-2021)
Beyond The Lower Hovels (NEUS-318, Japan, 2025) (composed in 2021-2023)
Seldom We Come Home Without Hurting Of Conscience (Eustress, UK, 2026) (composed in 2022-2024)
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Another series including 6 albums mostly with long textures and field recordings blending each other and interacts with listener's room acoustics.
There Was Hardly Anybody There (Spina!Rec, Russia, 2016) (composed in November 2014 - April 2016)
Nobody Ever Escaped From There (Moving Furniture Records, Netherlands, 2018) (composed in June 2016 - October 2017)
Someone Has Always Come (Sublime Retreat, Poland, 2021) (composed in 2017-2020)
Anyone Could Look Around (Dasa Tapes, Greece, 2023) (composed in 2017-2021)
Everyone Else Would Find (Sound Against Humanity, Italy, 2024) (composed in 2016-2022)
Somebody Else Around Here (Grisaille, Germany, 2024) (composed in 2017-2019, revisited 2021)
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Older ones consisted material I recorded in the studio and at the concerts with alto saxophone, effect pedals or laptop. After that it was re-composed.